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  • 1)Message de Anonymous posté le 2 August 2014 à 20:38:19
    You were right. That Police-cow is awesome :)
  • 2)Message de Steak posté le 2 August 2014 à 20:39:51
    Boulet, I think "Milky Rider" is great! :D Granted, it may not be on the same level as the LEGO movie, but it does have soul and humor. Love the cows! The rotation is brilliant!
  • 3)Message de Anonymous posté le 2 August 2014 à 20:40:58
    No shit, It was freaking Awesome, for real. I love the first one, the girl is so Roxane like, she's a badass !
  • 4)Message de Alex Knisely posté le 2 August 2014 à 20:45:29
    **cough** Bravo! LULU is sweet. But the Robocow is, yes, awesome. Especially in police mode.
  • 5)Message de Anonymous posté le 2 August 2014 à 20:52:24
    Those animations are pretty fucking great, actually.
  • 6)Message de TheEFAF posté le 3 August 2014 à 00:59:14
    Police cow was so good. Honestly, that looks better than some modern final animation reels I've seen. Mad props for managing it in 1996.
  • 7)Message de kat posté le 3 August 2014 à 06:04:34
    Your old animations are adorable!!! I remember Bryce.... just barely.... i actually remember the light tables, special animation paper with 3 registration holes, and the 16mm animation camera better! your new animations are adorable too :)
  • 8)Message de kat posté le 3 August 2014 à 06:07:17
    Oh yeah, and Syquest. I still have a Syquest disc around here somewhere... i guess i'll never see the stuff i have on that thing again..... i already got rid of all my old ZIP discs... and the 3.5" "floppies" but i still have paper copies of my first drawings in Photoshop 1.0!
  • 9)Message de Ambroise posté le 3 August 2014 à 06:32:50
    La vache !
  • 10)Message de Anonymous posté le 3 August 2014 à 13:39:01
    When was the french version of this comic made? Because a lot of the gifs that you post on this site are really well done, and I'd assume that you've had a lot more practice since making this.
  • 11)Message de Anonymous posté le 3 August 2014 à 16:03:29
    Moo-eee, moo-eee, moo-eee, moo-eee!
  • 12)Message de Roger Long posté le 3 August 2014 à 17:11:39
    I love it! I got my batchelor's degree at Massachusetts College of Art in 1983, doing animation just like that (I could never afford to print my 16mm cartoon). I really identify with this- I managed to end up a professional 3d game artist eventually, but unlike you my cartooning career has never taken off! Well Donne.
  • 13)Message de A. Goodman posté le 3 August 2014 à 17:31:33
    I can relate to this, having studied animation around 1994-96. We were fortunate enough to shoot on SVHS tape, rather than 16mm film, which allowed for instant playback and review of what we'd done so far. I also have a huge, broadcast standard U-Matic tape, with my showreel forever sealed away on it. While the actual drawing and animating wasn't so bad, shooting it was beyond tedious: Lift the glass, place the image, press the button, click-whirr-*beeep*! Lift the glass, place the image, press the button, click-whirr-*beeep*! Lift the glass, place the image, press the button, click-whirr-*beeep*! Lift the glass, etc, etc, for hours on end...
  • 14)Message de Chad posté le 4 August 2014 à 05:59:34
    "Though this be madness, there is method in it." That cow is SERIOUSLY AWESOME! Shame there were missing footages. All the more awesome that you did this by hand (A NOTEBOOK, in your words). If there's anything I realized, it's that people admire you more for grit and perseverance than technical merit. All the more that you have something to show for it! The software might not be up to standard but poor tools never hindered true masters. :) Would love to see what you can do with contemporary tools. Pixar should really call! :)
  • 15)Message de Radwulf posté le 4 August 2014 à 07:02:11
    Golden calf power....
  • 16)Message de Arys posté le 4 August 2014 à 15:06:29
    POLICE COW FOR THE WIN! I remember Bryce... your file sizes must have been ginormous!
  • 17)Message de D Haynes posté le 12 August 2014 à 15:23:47
    A beautiful piece of work. Very much enjoyed. I can certainly relate after having taught film animation @ University of North Carolina 1976 - 2005 Hand drawn cartoon animation, 16 mm Arriflex And made the transition to computers Amiga and Mac in the 1990s Been there and done all that Touching on 3-D Max long enough to hate it. Retired in 2005 and haven't looked back still draw but no longer have interest in movement
  • 18)Message de [RANDLINE-names.txt] posté le 21 September 2014 à 17:04:00

  • .. Or look for archived pages below :

  • You can have a look here if you want to discover some great sites ! Illustration, comics, music... Friends or just artists I admire !
  • You can send me an email from here...
    Please, read the FAQ first ! I got a lot of mail and I can't always answer to everybody !

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    • Q : Who are you and what is this blog ?

      I’m Boulet, a french cartoonist living in Paris. I’ve had about 20 books published, most of them for young readers. I also worked on two books of the “Dungeon” series with Lewis Trondheim and Joann Sfar (available in English, ask at your local comic shop).
      This blog is an attempt to translate my french blog ” “. I started in 2004 and have drawn more than 1600 entries. I’m trying to catch up but it’s a huge undertaking!

    • Q : The translation are sometime awkward, how do you work ?

      The translation is a very delicate subject !

      Most of the translations were performed by followers of my french blog, but very few of them are native anglophones, so the accuracy varies a lot.

      I tried to find a professional translator but it turned out it was far too much expensive for me alone. So I offered to give an original artwork in exchange of amateur translations (like, for a month or so of comics to translate) but even then it was complicated because just the re-handwriting the texts and posting them alone took a lot of time, and having to do original artworks for it and posting them was a lot of work too. Anyway I can’t manage it like this either.

      So for this new version, I’m going to give it a try and translate all by myself.

    • Q : Can we help you to make it sound better ?

      That would be the idea !

      As you can see in this FAQ, I’m not so good in english ! So here’s what I have in mind: if you think you can make the translation sound better, just write your propositions in the comments, and I will gradually update the comics.

      The more comments and remarks I’ll get, the more I’ll be happy !

      Just be indulgent, I try my best, and translation is not my main job !

    • Q : I am french, but I fluently speak english, can I help anyway ?

      Yes you can, of course, but must tell I will pay more attention to native anglophone comments !

      I had a lot of people trying to translate, and each time, english or american people told me it was still awkward. French people tend to be overconfident with their level in english or at least, with their ability to translate a comic. It’s not just about being accurate, it’s also about making it soud good, you have to feel it, and that’s almost impossible if you are not english or american.

      The best help I could help would be from english or US cartoonists !

    • Q : I can’t translate, but is there anything else I can do to help ?

      Even if it’s written in english, it’s not easy to share this webcomic: in France I can rely on cartoonist friends or specialized reeferers to share, but it’s very difficult to make people discover my work in other countries !

      So if you want to help, it’s very easy: you can share with your friends ! If you have friends who don’t speak french, tell them about this page, and use social networks to share the comics you liked !

    • Q : How did you make this layout ?

      First, this blog was programmed with flash.

      But flash is a very heavy format, and very difficult to share. A few months ago, I decided to rebuild it whith a different platform. I discussed about this with Arnold on Twitter. He’s very good with WordPress, so I designed and he made this happen !


    • Q : Can I use the same layout for my blog ?

      WordPress is supposed to be a free-sharing platform, but we worked a lot on this, and we don’t specially want that anyone could use it without consulting us.

      The layout programming is Arnold’s, so you can ask him and he will be the only judge ! If he likes your work, I think he will be happy to authorize you to use this !

      His contact is at the bottom of the site, on the main page.

    • Q : Where can we buy your work ? Do you have a shop with posters, mugs or T-shirts ?

      For now, there’s not such a thing. I try to keep this the less “commercial” I can. But maybe I will change my mind some day !

      The only available work I have in english are the two books I drew for the serie “Dungeon” with Lewis Trondheim and Joann Sfar. Ask for it in any comic book shop ! The more you ask them to order it, the easiest will it get to obtain !
      If you want to have a better translation of this webcomic, you just have to harass US and UK publishers, till one of them agrees to publish it in english :)

      For my french work, I drew a lot of books, here’ the entire list:

      Glénat Editions:


      Tome 1 : Dragon Junior

      Tome 2 : Fées et Gestes

      Tome 3 : Terreurs de la nature

      Tome 4 : Légendes urbaines

      Tome 5 : Tempus Fugit

      Tome 6 : Casus Belli

      -La Rubrique Scientifique

      Tome 1

      Tome 2

      Tome 3

      -Le Miya (with Reno, Julien Néel and Libon)

      -Womoks (only scenario, drawing by Reno)

      Tome 1 : Mutant, suspends ton vol…

      Tome 2 : Le croiseur s’amuse

      Tome 3 : Albon, les brutes et les truands


      La boîte à bulles Edition:

      -Le vœu de…

      Tome 1 : Le vœu de Marc (coscenarist with Nicolas Wild, drawing by Lucie Albon)

      Tome 2 : Le vœu de Simon (coscenarist with Lucie Albon, drawing by Lucie Albon)

      -Amour et Désir (Collectif, seven pages under the alias Ella Forbin)


      -Delcourt Edition:

      -Donjon (avec Lewis Trondheim et Joann Sfar au scénario, et Lucie Albon à la couleur)

      Tome 5 : Un mariage à part

      Tome 6 : Retour en fanfare

      -Notes (these are the compilations of all the entries of the french blog)

      Tome 1 : Born to be a larve

      Tome 2 : Le petit théâtre de la rue

      Tome 3 : La viande, c’est la force

      Tome 4 : Songe est Mensonge

      Tome 5 : Quelques Minutes avant la Fin du Monde

      Tome 6 : Debout mes globules ! (à paraître, 23 novembre 2011)

      -Chicou-Chicou (under the alias Ella Forbin, with Aude Picault, Domitille Collardey, Lisa Mandel and Erwann Surcouf)

      -Boule de neige (collective compilation of works for the 24-hours comics of Angoulême )

      -La Maison Close (collective book by Ruppert et Mulot)

      -La Page Blanche (scenarist, drawing by Pénélope Bagieu. Release in january 2012)

      -Bragelonne Edition:

      -Tous malades ! (original title: Now we’re Sick) (illustrations for a collection of adult poems by Neil Gaiman and other authors, with Reno and Mélaka)

      -Erik le Viking (illustrations of the french version of Terry Jones’s book)

      -L’almanach illustré 2008. (texts by Laurent Genefort and Gudule)


      Nekomix :

      -Soupir (collectif)

      Tome 1, 2008

      Tome 2, 2009

      -Nekomix 7 spécial cinéma (collectif)


      -Barclay-Universal :

      -Repenti (Illustrations for Renan Luce’s album, christmas edition)

    • Q : Can I use one of your comics to print a shirt / a poster / to put it on my blog / to illustrate my book / magazine ?

      No, you can’t ! :)
      All this comics ask a lot of time to draw, and I don’t want them to be taken out of this blog, especially if it’s for commercial use.
      And most of this blog material is already printed by the french publisher Delcourt, so it would be highly illegal !
      They are some exceptions, though:
      -You can use one panel or two if you are making a citation (for example: if you write an article about my work or about webcomics in general, you can show a couple of pictures, without asking me. You just have to put the source under it: my name and the blog’s URL, clikable if your article is on internet. You don’t specially have to tell me, but it would be nice)
      -If you want to share a story on internet, the way I like better is one panel, clikable, redirecting to my original blog.
      -You can use a comic or more for pedagogic use if it’s a non-commercial use: if you’re a teacher and you need a printing from the blog for your class, if you’re a student and need an illustration for an essay or your thesis, I’m totally ok if you respect these two conditions: you have to ask me FIRST (because I wouldn’t like to illustrate something I totally disagree with), and the use must be completely NON-COMMERCIAL (you CAN’T sell it, no matter the format), NON-POLITIC (especially if you are a kind of nationalist NRA douchebag) and NON-RELIGIOUS (I’m an atheist, and I work for no church or cult)

    • Q : Can I buy you an original artwork ?

      I don’t really need mone for now, so I don’t sell my original works… So no !
      And I have a lot of work waiting to be done, so I don’t have time to make special drawings for birthdays, christmas presents or stuff like that !

    • Q : I’m very rich and I want to hire you / I want to publish your work

      Ok, send me an email and we’ll see ! :)
      I’m not specially looking for work now, but if you have something nice to propose, maybe we can find an arrangement !
      If you want to publish material from this blog, my publisher shares the copyrights with me, so you have to contact him ! look for “editions Delcourt” on the web !